3 Smart Ways Future Music Majors Can Connect with College Music Departments
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Read MoreCollege music programs look for more than talent — they look for preparation. Start early, build smart, and unlock scholarship opportunities with the right music grades.
When it comes to preparing for a college music audition, it’s not enough to sound “good.” Judges want to hear the right level of difficulty — and that’s where music grades come in.
Unlike school grades (A to F), music uses a different system to measure how challenging a piece is to perform. Compositions are ranked from Grade I (very easy) to Grade VI (professional level). Understanding this scale is essential to choosing the right repertoire for auditions.
Across the U.S., each state has its own Music Educators Association with divisions for Band, Orchestra, Choral, College, and General Music. Every summer, a Music Grading Committee meets to review new pieces and assign grades based on how hard they are to perform.
But here’s the catch: there’s no national grading system. Each state builds its own list, meaning the same piece can have different grades in different states!
Not officially — but some states have earned a reputation for being the gold standard.
Texas, New York, Florida, Virginia, Georgia, Indiana, and California are among the most respected. In fact, when colleges don’t specify a state system, they often expect you to use Texas’s rankings — even though Texas ranks the hardest pieces as Grade I and the easiest as Grade VI, the opposite of most states.
And if you’re looking for a trusted, nationwide reference? The Accoladi Repertoire Directory at Accoladi.com is one of the few resources that compares and curates music grades across states — the closest thing to a national standard available.
Here's a quick guide:
School Grade | Music Difficulty | Common Grade | Texas Grade |
---|---|---|---|
6th Grade | Very Easy | Grade I | Grade VI |
7th Grade | Easy | Grade II | Grade V |
8th Grade | Moderately Easy | Grade III | Grade IV |
9th Grade | General Standard | Grade IV | Grade III |
10th Grade | Moderately Difficult | Grade V | Grade II |
11th–12th Grade | Difficult | Grade VI | Grade I |
Note: Florida’s list even goes up to Grade VII!
Most colleges want audition pieces at Grade V or Grade VI level of difficulty. Some schools will tell you which state list they use. If not, assume Texas’s ranking— it’s often the unofficial standard.
Example:
Haydn’s Concerto in D for Solo Flute gets different grades depending on where you look:
• Maryland: Grade IV
• New York: Grade V
• Virginia: Grade VI
• Texas: Grade I (most difficult!)
One more twist: the same piece can have different grades depending on the publisher.
For instance:
• Air and Scherzo by Fox — published by Belwin Mills — is a Grade IV in Virginia.
• The same piece — published by Presser — is a Grade V also in Virginia.
Tip: Always check the publisher’s name when selecting your piece for auditions!
Your audition isn’t just about playing a piece well — it’s about playing the right piece at the right level. Choosing wisely shows judges you’re not only talented but also prepared, disciplined, and serious about your craft.
When you know how to navigate the grading system — and use tools like the Accoladi Repertoire Directory — you give yourself a real edge.
The right piece can open the right doors. Master the grades, and let your music be the key that unlocks your future.
Audition: A performance given by a student to demonstrate their skill level for admission into a music program or to compete for scholarships.
Band: A musical ensemble typically composed of wind, brass, and percussion instruments, found in schools and colleges.
Choral: Relating to a choir or group of singers who perform together, often with multiple voice parts (soprano, alto, tenor, bass).
College Audition: A required performance that serves as part of the admission process for collegiate music programs; often determines scholarship eligibility.
Composition: A piece of music written by a composer; can refer to any musical work, including solo pieces and ensemble arrangements.
Division (Music Educators Association): Sections within a state’s music educators organization, such as Band, Orchestra, Choral, College, and General Music, each handling different areas of music education and grading.
Grade Level (Music): A system that ranks music by difficulty, ranging from Grade I (easy) to Grade VI (professional level). Higher grades require more advanced technical skills.
Music Educators Association: A state-level organization made up of music teachers that governs music competitions,
Publisher (Music): The company that prints and distributes sheet music. Different publishers may offer different arrangements of the same piece, which can affect the difficulty level.
Repertoire: A collection of musical pieces a student can perform; often used when choosing pieces for auditions or performances.
Scholarship Dollars: Financial awards given to students based on their audition performance; stronger performances with higher-grade music can lead to better scholarship offers.
Solo: A piece of music performed by one musician, often used for auditions and competitions to highlight individual skill.
State Graded List: A list published by each state’s Music Educators Association ranking music pieces by their level of difficulty.
Texas Grading System: A widely respected system of music grading where Grade I is the hardest and Grade VI is the easiest — opposite of most other states. Often used as a benchmark by colleges when no specific state list is mentioned.
Virtuoso: A musician with exceptional technical skill and artistry, typically capable of performing the most difficult (Grade VI) music.
Objective: Students will be introduced to the concept of music grading systems and will learn why choosing the right level of music is important for performances and auditions. Students will practice identifying grade levels of music and matching them to their current skill level.
Student Assignment: "Finding Your Fit: Matching Music to Your Level"
Instructions:
Category | Points | What We Are Looking For |
---|---|---|
Participation | 30 points | Student stayed on task, asked questions, and tried their best to find their music grade. |
Correct Information | 30 points | Identified the music piece and correct grade (with help if needed). |
Writing Effort | 20 points | Wrote a clear paragraph with complete sentences and thoughtful answers. |
Neatness and Organization | 20 points | Assignment is neat, easy to read, and follows directions (name, title, paragraph format). |
Total | 100 points |
Grade | Score Range | What It Means |
---|---|---|
A | 90–100 points | Great effort! Clear answers, good research, neat work. |
B | 80–89 points | Good work, a few minor mistakes, but mostly complete and neat. |
C | 70–79 points | Some effort, but missing information or needs better organization. |
D | 60–69 points | Needs more effort; didn’t answer all parts of the assignment. |
F | 0–59 points | Incomplete or missing; did not try to find music grade or explain answers. |
Objective:Students will understand the concept of music grading systems and their role in selecting appropriate audition repertoire. They will learn to research, compare, and justify their choice of audition pieces based on graded difficulty levels and state standards, using reliable resources like the Accoladi Repertoire Directory.
Assignment: "Choosing the Right Piece: Understanding Music Grades for Auditions"
Category | Points | What We Are Looking For |
---|---|---|
Research Depth | 30 points | Identifies grades from multiple state lists; checks for publisher differences; uses the Accoladi Repertoire Directory. |
Analysis & Justification | 30 points | Clearly explains grade differences; provides a thoughtful justification for final choice. |
Use of Resources | 20 points | Properly cites all state lists and publishers; integrates the Accoladi Repertoire Directory into their research. |
Writing Mechanics | 10 points | Clear, organized writing; correct grammar, punctuation, and spelling. |
Formatting and Submission | 10 points | Follows length requirements; bibliography included; proper format (typed, double-spaced, 12 pt font). |
Total | 100 points |
Grade | Score Range | Description |
---|---|---|
A | 90–100 points | Excellent research and analysis; thorough use of multiple resources; strong justification; writing is clear and polished with proper formatting. |
B | 80–89 points | Good research and analysis; minor gaps in explanation or resources; justification is reasonable; minor writing or formatting errors. |
C | 70–79 points | Basic research with limited use of state lists or Accoladi; justification is weak or incomplete; noticeable writing or formatting issues. |
D | 60–69 points | Minimal research effort; few or no comparisons between lists; justification lacks depth; significant writing or formatting problems. |
F | 0–59 points | Assignment incomplete or missing major sections; little to no research or justification; poor writing quality or not submitted according to guidelines. |
Dear ______________________________ Parents,
When parents think about preparing their children for college, most imagine starting in high school. But in the world of music, college preparation begins much earlier — often as early as 6th and 7th grade.
One of the most important — and least talked about — factors in a successful college music audition is the grade level of the music a student performs. Unlike the academic A-to-F grading system, music is graded by difficulty — from Grade I (easy) to Grade VI (professional level).
Colleges expect high school seniors to audition with Grade VI-level pieces — and that level of skill doesn’t happen overnight. It’s the result of years of steady, strategic progress.
If a student only starts thinking about grade levels in 11th or 12th grade, it’s often too late to reach the required proficiency. Colleges expect to see a clear pathway of growth — and scholarship dollars are usually awarded to students who can confidently perform Grade VI-level works by senior year.
Here’s what the early progression should look like:
Following this progression sets students up for high school success:
Without early preparation, your child risk falling behind and may only be ready to perform a Grade IV piece by their senior year — which greatly limits both their college acceptance options and the scholarship dollars available.
To help parents and students better understand music grading, I encourage you to read:
“Unlocking Music Grades: Your Secret Weapon for College Auditions” available at Accoladi.com.
This article explains:
Read the full article here: [Accoladi.com]
Success at the college audition table doesn’t start in 11th grade — it starts now, in middle school. By steadily building skills year by year and performing at the right grade levels, your child positions themselves for acceptance into top music programs — and for the scholarships that help pay for it.
Thank you for encouraging and supporting your child's musical journey — it truly is a marathon, not a sprint.
Respectfully,
______________________________________________________ [Director’s Name and Position]
_____________________________________________________________________ [School Name]
Dear _____________________________Parents,
If your child dreams of pursuing music in college, preparing for auditions starts long before senior year. One of the most important — and often overlooked — keys to a successful audition is the grade level of the music your student performs.
Unlike the familiar A-to-F system used in academic classes, music pieces are graded based on difficulty — from Grade I (easy) to Grade VI (professional-level). For college auditions, the grade level of the music matters as much as how well it’s performed. It signals to audition committees the level of technical skill and musical maturity your student has reached.
And here’s the truth: Grade level is a strategy game.
By the time a student auditions in their senior year, they need to be confidently performing a Grade VI piece. This is the level most collegiate music programs expect — and it’s the level that opens doors to larger scholarship opportunities and more competitive schools.
To get there, students need a clear plan:
Waiting until senior year to play at the proper level is risky. If a student’s proficiency only supports a Grade IV piece during their senior year audition, they’ll find themselves limited to less selective programs — and scholarship offers will typically be much smaller.
Top college music programs are highly competitive. Judges are looking for more than a good sound — they are looking for readiness to handle the rigors of a collegiate music curriculum. The grade of the audition piece tells them a lot before the first note is played.
If you want to understand this system even better, I highly recommend reading the article:
“Unlocking Music Grades: Your Secret Weapon for College Auditions” at Accoladi.com.
The article explains:
Read the full article here: Accoladi.com
College music auditions aren’t just about how well a student plays — they’re about what they play. Strategic planning over four years can make the difference between an acceptance with a generous scholarship and a disappointing offer.
Help your student start strong early — and stay on track to perform at the level colleges are looking for.
Thank you for being such a crucial part of your student’s musical journey!
Respectfully,
______________________________________________________ [Director’s Name and Position]
_____________________________________________________________________ [School Name]
Start your college journey with confidence!
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